| Born: Genre: Style: |
1954 – Cincinnati, Ohio, USA Funk / Soul Soul – Disco – Funk |
| Year | Album Title | Label | In House |
|---|---|---|---|
| 1959 | Shout! | RCA | No |
| 1962 | Twist & Shout | WALL | No |
| 1963 | Twisting and Shouting | United Artists Records | No |
| 1966 | This Old Heart of Mine | Tamla | No |
| 1967 | Soul on the Rocks | Tamla | No |
| 1969 | It's Our Thing | T-Neck | No |
| 1969 | The Brothers Isley | T-Neck | No |
| 1969 | Get into Something | T-Neck | No |
| 1971 | Givin' It Back | T-Neck | No |
| 1972 | Brother, Brother, Brother | T-Neck | No |
| 1973 | 3 + 3 | T-Neck | On Website |
| 1973 | The Isleys Live | T-Neck | No |
| 1974 | Live It Up | T-Neck | YES |
| 1975 | The Heat Is On | T-Neck | YES |
| 1976 | Harvest for the World | T-Neck | On Website |
| 1977 | Go for Your Guns | T-Neck | No |
| 1978 | Showdown | T-Neck | No |
| 1979 | Winner Takes All | T-Neck | No |
| 1980 | Go All the Way | T-Neck | YES |
| 1981 | Grand Slam | T-Neck | YES |
| 1981 | Inside You | T-Neck | No |
| 1982 | The Real Deal | T-Neck | No |
| 1983 | Between the Sheets | T-Neck | No |
| 1985 | Masterpiece | Warner Bros. Records | YES |
| 1987 | Smooth Sailin' | Warner Bros. Records | No |
| 1989 | Spend the Night | Warner Bros. Records | No |
| 1992 | Tracks of Life | Warner Bros. Records | No |
| 1993 | Live | Electricity | No |
| 1996 | Mission to Please | T-Neck | No |
| 2001 | Eternal | Dreamworks Records | No |
| 2003 | Body Kiss | Dreamworks Records | No |
| 2004 | Taken To The Next Phase | T-Neck | No |
| 2006 | Baby Makin' Music | Universal music | No |
| 2015 | Groove With You… Live | T-Neck | No |
| 2017 | Power of Peace | Legacy | No |
They've been around longer than the Rolling Stones, Jimi Hendrix played in their backing band and they funked before James Brown. The Isley Brothers are by far the soul group with the longest breath. Their latest album 'Power of Peace' (July 28, 2017) is a collaboration with guitar legend Santana.
“Brotherly Soul”
Father O'Kelly Isley, a professional singer himself, knew it the day he met his wife Sallye Bernice in the mid-1930s. She would bear him four sons, who would form a vocal quartet called The Isley Brothers, who would eventually become more famous than The Mills Brothers, the top of the group at the time. His prophecy came true with chilling accuracy, for at two-year intervals from 1937 onwards O'Kelly Jr., Rudolph, Ronald and Vernon were born. They came into the world practically singing, performing almost before they could walk.
At the First Baptist Church of Lincoln Heights, near Cincinatti, Ohio, where their mother was an organist and choir director, the foundation was laid for their musical career. There they began performing, although their musical education was certainly not limited to gospel. Pa Isley deliberately introduced them to as many genres as possible, including classical, country, evergreens and show numbers. The first talent show they won had jazz diva Dinah Washington on the jury. She told Isley Sr. Nothing new when she assured him that these four boys would become very popular and that four-year-old Ronnie would be the big star in their midst. This prophecy also came true, because what Michael was to the Jacksons, Ronald has always been to the Isleys.
The career of The Isley Brothers has known many highlights, not only commercially, but especially artistically. But with high peaks come inseparable deep valleys, for the Isley's mainly in the form of personal tragedies. Incidentally, these were never the result of excessive drinking and/or drug use, because the Isley's was from the beginning until now - and the end is not yet in sight - an iron discipline.
The first tragedy came very early. The four brothers, who were still in school – and who now had two brothers in the late arrivals Ernie (1952) and Marvin (1953) – had started their professional careers less than a year earlier in 1955, when Vernon got something caught between his front wheel on his way to school and flew over the handlebars of his bicycle, right in front of the wheels of a truck. He died instantly. It took his brothers more than a year to get over that.
By the time the three of them were back on the road, O'Kelly Isley Sr. died of a heart attack in 1956, something he had predicted a year ago. This time, the brothers didn't let that stop them: they even sought higher ground by moving to New York, in pursuit of a record deal. Several singles on various labels followed, which earned them gigs but nothing. It wasn't until 1959 that they finally got it with a question and answer game they had been doing live for years, stemming from their gospel past: Shout, on RCA. Although it peaked at number 47 on the US pop charts, the song became a rock standard and eventually sold a million singles.
In 1960, they bought a house for their mother in Teaneck, New Jersey, so the family was together again. But they didn't succeed in scoring more hits. Not on RCA and not on Atlantic, where they even worked with Leiber & Stoller. It wasn't until 1962 that they scored a second time, with a song written by Bert Berns: Twist And Shout, recorded a year earlier by The Top Notes, but poorly produced, by no less Jerry Wexler and a still young Phil Spector, so no hit. Berns adapted the song for the Isley's and produced a top 20 hit for them, on Wall Records. At the same time, Joey Dee & The Starliters scored a monster hit with their version of Shout, so the Isleys were ubiquitous.
There were plenty of performances for Ronald, Kelly, Rudolph and their backing band, but again they failed to score new hits. In 1963 they signed with United Artists, which yielded several singles and an album, but no listings. In 1964 they decided to focus on writing their own songs and also set up their own label, T-Neck RecordsThat year, Jimi Hendrix to their backing group. He even lived with them for a time and taught the young Ernie and Marvin the basics of guitar playing, something their older brothers never did, because Dad Isley had once intended that Ernie and Marvin would go to college so that they could then look after their older brothers' businesses. The Isleys toured America and England with Hendrix and recorded several songs with him, including funky tracks like Testify and Move Over Let Me Dance, in which all of Hendrix's guitar licks that later became so famous are already rudimentarily present.
But they were less successful at selling records on their own, so they decided to Atlantic to leave. In vain. When it became apparent at the end of 1965 that Motown interested in the group, they flew straight to Detroit. There they were allowed to start right away with the Holland-Dozier-Holland team at work, what the R&B – Soul topper This Old Heart Of Mine (Is Weak For You) , their third big hit, which just missed the top ten. In England in 1967 they even reached the top three with that song, which made them decide to settle there. But also at Motown the great success with successors failed to materialize, even when they (again with Holland-Dozier-Holland) Take Me In Your Arms (Rock Me A Little While) So in late 1968 they were back in New Jersey and revived T-Neck Records. This time with solid promotion and distribution via Buddha Records, because the Isleys always learned from their mistakes.
The start of this new setup turned out to be flawless: Ronald wrote It's Your Thing and recorded it – more or less by accident – with his two young brothers Ernie and Marvin, who had by then mastered drums (and soon guitar) and bass guitar respectively, together with keyboard player Chris Jaspers, their brother-in-law. They even had their own group, The Jassman Trio, without older Isley's initially knowing anything about it. The pure funk track It's Your Thing reached number two on the US pop charts and Ronald won a Grammy for it (Best R&B Vocal of 1969). Five million singles were sold, dozens of other artists covered the hit song, but the most important gain was that the Isleys had finally found their definitive form. And this was partly thanks to the new generation of family members, who eventually grew into the permanent backing group of Ronald, Rudolph and Kelly, so that the group consisted of five brothers and a brother-in-law.

T-Neck was placed with CBS and the first result was the album '3 + 3' (1973), that the number 6 pop hit That Lady delivered, a haunting soul number with a unique guitar sound by Benjamin Ernie Isley, in the spirit of Hendrix. For their next album, Live it Up, she played a new trump card, by using the engineer-producer-programmer duo Cecil & Margouleff to involve. That had two years earlier the music of Stevie Wonder undergone a metamorphosis with the album Music On My Mind. Yet it must be Live It Up, which did yield two hits, are considered a preliminary study for their third CBS album, which is appropriately The Heat Is On was titled. It features a super funky A-side including the number four pop hit Fight The Power, and a slick soulful B-side featuring the number 22 pop hit For The Love Of You. This album is one of the highlights of their career. No less than nine CBS albums followed with the same line-up, up to and including 1983, with only their own songs with declining success.
When the contract between T-Neck and CBS came up for renewal in 1983, there was a disagreement in the family for the first time. The older three went to Warner Bros, the younger three absolutely wanted to stay with CBS. The dispute degenerated into a real war between the two camps, who fought each other even in court: The Isley Brothers and Isley-Jasper-Isley. However, the individual albums were not as strong as before and it took another personal tragedy to get out of this years-long impasse: the sudden death of O'Kelly Jr., the eldest brother, who, like his father, died of a heart attack, in his sleep, in 1986, only 49 years old. At his funeral, all his brothers were together for the first time. This event eventually caused Rudolph to leave music and enter the monastery. Shortly afterwards, Chris Jasper suddenly decided to go solo without consultation, so that both groups fell apart. Ernie went solo and Marvin reunited with Ronald to continue the Isley Brothers.
Around that time, singer-songwriter also appeared Angela Winbush to the Isley camp, first as producer, but soon also as Ronald's sweetheart and eventually (1993) as his wife. After a solo album (High Wire, 1990 Elektra) Ernie also returned and the three of them eventually made a really successful album in 1996: Mission To Please, on Island, with beautiful vocals from Ronald and flowing guitar parts from Ernie. At the same time, Ronald was in the charts as a guest singer on R Kelly(Down Low) with which he tapped into a new source, which would spray in two directions. Firstly, he was increasingly asked as a guest vocalist (with Kelly Price, Quincy Jones, Ja Rule, Jay-Z, Nas, Nelly and Warren G) and secondly, the collaboration with R Kelly would last for years, during which Ronald's successful gangster alter ego Mr. Biggs was also developed and made great with the world hit Contagious (Album Eternal 2001). Once again Ronald proved to perfectly sense the spirit of the times and to flawlessly pair his instrument – that beautiful voice – with new musical developments.
In the new millennium the group name was changed to The Isley Brothers featuring Ronald Isley, and Marvin also had to leave the group, as a result of years of neglected diabetes, which led to forced amputation of several body parts. In 2001 Angela and Ronald divorced, but they continued to work closely together. For the album Body Kiss (2003) by the Isley's R Kelly produced, wrote and arranged eleven of the twelve songs. Ronald also released a duo album with Burt Bacharach, and he married his backing vocalist Kandy Johnson.
In 2005 he was due to appear in court on charges of tax evasion, for which he was originally scheduled to go on trial on 9 January 2006, facing a maximum sentence of 26 years. On 5 September 2006 he was sentenced to three years and one month in prison and ordered to repay $ 3.1 million in evaded tax money.